via purple-diary:
Andre’s Drawings show at Colette and dinner at Caviar Kaspia more photos
Disgusting and disturbing…but gutsy journalism.
via soupsoup:
via natashavc:
When you talk about extraordinarily well written celebrity profiles, you might refer to Frank Sinatra with the sniffles.
Personally, I think about Claire Hoffman’s face pressed up against metal.
Video on the making of the New Yorker cover image from curator and the three artists’ perspective showing how they all came together. This displays the amazing artistic process and the incredible thought that goes into something so simple and…disposable (sadly). This is art and commentary of the highest caliber and the sooner the magazines realize that and break free from the 8.5 x 11 world, the faster they’ll re-find profitability.
How much for the original of that Clowes image?
In regards to the Tumblr example soupsoup includes at the bottom if you were to add a voting component and game element this skews towards a Threadless model for magazines.
via soupsoup
Strange Light is a 40-page magazine that features stunning photography from the Great Australian Dust Storm of 2009 which occurred just two days ago. Derek Powazek published the magazine overnight using MagCloud.
The idea that a magazine can be produced overnight and distributed worldwide, at a fraction of the cost magazines were once traditionally produced and distributed, is pretty phenomenal.
Some possibilities I could imagine: a tumblr like Eat, Sleep, Draw producing a quarterly periodical highlighting the best content they’ve curated. They would only produce what is ordered, ensuring they would not suffer a loss on production.
(via RexBlog)
For some reason the word “futurific” comes to mind.
via heyitsnoah:
Video in a magazine. Interesting.
2009 Fall Preview Video - CBS and Pepsi Max video ad to run in Entertainment Weekly - CBS.com [Via Leila]
Great interview in Swindle 08
One of the highlights was the anecdote about the work he did on the wall in Palestine:
S: The murals you did in Palestine, I would assume, involved personal risk. You’re there, and you could definitely get some people pissed off and put yourself in jeopardy.
B: Every graffiti writer should go there. They’re building the biggest wall in the world. I painted on the Palestinian side, and a lot of them weren’t sure about what I was doing. They didn’t understand why I wasn’t just writing “down with Israel” in big letters and painting pictures of the Israeli prime minister hanging from a rope. And maybe they had a point. The guy that I stayed with got five days with the “dirty bag” for waving a Palestinian flag out a window. The dirty bag is when Israeli security services get a sack, wipe their shit on it, and put the bag over your head while your hands are tied behind your back. I spat out my falafel as he was explaining that to me, but he just goes, “That’s nothing. My cousin got it for two weeks without a break.” It’s difficult to come home and hear people complaining about reruns on TV after that. It’s very hard for the locals to paint illegally over there. We certainly weren’t doing it under the cloak of darkness; you’d get shot. We were out in the middle of the day, making it very clear we were tourists. Twice, we had serious trouble with the army, but one time the Palestinian border patrol pulled up in an armored truck. The Israeli government makes a big fuss about how they own the wall, despite building it right through the farmland of Palestinians who have been there for generations, so the Palestinian border police don’t give a shit if you paint it or not. They parked between the road and us, gave us water, and just watched. It’s probably the only time I’m ever going to paint whilst being covered by a cop from a roof-mounted submachine gun.